#576 Danse Macabre
64x84 cm | Filler, pine panel
About
This work was created by allowing one of my empty filler buckets to twist and twirl in wet filler. Once the material had fulfilled its artistic potential, the bucket remained as excess. It appears to “dance,” like a skeleton on its own grave.
Humans tend to animate dead objects. We see this in cartoons, and in the way we curse at a table after stubbing our toes against it. On some level, we struggle to differentiate between living and non-living matter clearly. What, after all, is the true difference between a corpse and a living person?
At its core, this is a question of language. We rely on language—categories and structures—to understand reality. Yet language itself is not reality; it is not the raw, unmediated, and boundless matter of the world. Instead, we shape reality in our minds in order to grasp it. We animate it.See a work-in-progress video here and a presentation video here.
Res Ipsa
Res Ipsa is a compilation of works made by an act shaping the filler once it is prepared inside the frame. The works thus function as a recording device and give a statement of the event taking place while the filler was still wet.
Res Ipsa is Latin for "the thing itself" and is part of the juridical term "Res ipsa loquitur" (the thing speaks for itself), used when an injury or accident in itself clearly shows who is responsible, such as an instrument left inside a body after surgery.



