84x64 cm each, installation dimension variable | Filler, oak frame
Interpellation is a concept regarding the notion of ideology, associated with the French philosopher Louis Althusser. He writes that the process of hailing, or interpellating - unconsciously transforms individuals into subjects of ideology. I.g., a policeman calls out "Hey you!" on the street. Anyone who turns their head and, so to speak, "answers" the call is submitted to the ideology of law.
Perception is an interpretation and thus consists of language in the same manner as understanding words. To the mind, a word is always also an image. In that sense, understanding words function no different than normal perception. When we see, images are constructed inside the mind. We never perceive reality objectively or in itself.
However, to use language, we have to speak or write it. We have to realize it. Nothing ever communicates without being inscribed into a matter of some sort. But how words are inserted into reality affects how we perceive them. Thus reality itself seeps into language. There exists no clear or unmediated communication. Matter adds to the message. Because which matter we choose to communicate through and how we shape it reflects on who we are, it can reveal unconscious or hidden meanings.
Humans inscribed the first written words in stone or clay. One of the purposes was to save them for the future, to protect them from the volatility of time. To speak, or to write, is always, to some extent, an act of power. The receiver must initially submit his or her attention to the message. No matter how insignificant, its meaning will always in some way change the receiver forever.
There is a constant tension between language and reality as matter. The human subject is defined by an individual will, as opposed to the strict causality of nature. This will strive to be expressed through language. Maybe self-awareness is a result of language at use. Language as a way for the ego to invent itself, to inscribe itself into the world. It is no coincidence that many of the first examples of texts are curses, prayers, laws or inventories — different ways of trying to influence and master reality.
Template is a compilation of works made by using pieces of wooden plates as templates. They function a bit as a mould or matrix for the finished work.
Reminiscent of Richard Serra's Verb List, I use simple and clearly defined actions to shape the filler in my works. This method ensures there are non-cognitive aspects of the production process, which allows for unknown elements to enter.