top of page
#449 Some Revolt

#449 Some Revolt

84x64 cm | Filler, oak panel

  • About

    This work is done by spelling the word NO four times from four different sides by placing stones in the wet filler (see video).

    It is inspired by a poem from Iranian poet Forough Farrokhzad:

    I must say something
    I must say something
    In the shivering moment at daybreak
    When space blends with something strange
    Like the portents of puberty
    I want
    To surrender to some revolt
    I want
    To pour down out of that vast cloud
    I want
    To say no no no

  • Speaking Stones

    Speaking Stones is a compilation of paintings made with imprints of ordinary stones.

    I see the stone as a metaphor for popular struggle and protest. It is the closest available weapon to the powerless. Throwing stones is a symbolic form of violence. The aim is not to overpower the opponent physically. It demonstrates defiance in the face of power by expressing concretely that the premises of the situation aren't acceptable. The stone speaks but not in a language open to negotiation or dialogue. A conversation means accepting the context in which it takes place and is thus always, to a certain degree, a form of submission. The language of stones is the language of mute matter. A form of silence that nevertheless speaks clearly and directly. The stone represents the resistance in itself from a place outside of language.

    The stone is an entirely exchangeable and ordinary object that exists everywhere. At the same time, each stone is unique and has its own beauty and unfathomable mystery for anyone open to seeing it. This duality fascinates me. A stone is perhaps the closest we can get to a thing-in-itself, bound as we are to language. Sealed around itself, oblivious to the outside world. Simply existing. In a way, we can never truly understand. Infinite in its everydayness. Specific and concrete in its presence.

  • Res Ipsa

    Res Ipsa is a compilation of works made by an act shaping the filler once it is prepared inside the frame. The works thus function as a recording device and give a statement of the event taking place while the filler was still wet.

    Res Ipsa is Latin for "the thing itself" and is part of the juridical term "Res ipsa loquitur" (the thing speaks for itself), used when an injury or accident in itself clearly shows who is responsible, such as an instrument left inside a body after surgery.

kr13 000,00Price

If you have any questions about anything regarding my works, please don´t hesitate to contact me!

bottom of page